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Stamp 'N' Go
FTR034
- Format
- 7"
- Label
- Fruits Records / Skankin' Society Records
- Artist
- 18th Parallel, the
€10.00
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Stamp 'N' Go
Double release to launch our new imprint label – Skankin’ Society Records – in collaboration with Geneva retro reggae sound system specialist Skankin’ Society.
Ready your dancing shoes! Second single on Skankin’ Society Records, ‘Stamp ’n’ Go’ by The 18th Parallel is an instrumental ska but with a roots feel. A horns line that will stay in your head for nights, mind-blowing solos by talented musicians and dancing rhythm by the epic Rockers movie star Leroy “Horsemouth” Wallace. B side features an alternative filter mix by Roberto Sánchez. Sound system anthem for sure!
Ready your dancing shoes! Second single on Skankin’ Society Records, ‘Stamp ’n’ Go’ by The 18th Parallel is an instrumental ska but with a roots feel. A horns line that will stay in your head for nights, mind-blowing solos by talented musicians and dancing rhythm by the epic Rockers movie star Leroy “Horsemouth” Wallace. B side features an alternative filter mix by Roberto Sánchez. Sound system anthem for sure!
Tracklist
A. Stamp 'N' Go
B. Stamp 'N' Go Part II
B. Stamp 'N' Go Part II
Credits
Drums: Leroy "Horsemouth" Wallace
Bass: Primo Viviani
Piano, organ, percussion: Mathias Liengme
Rhythm guitar: Roberto Sánchez
Percussion: Loïc Moret
Trombone: Anthony Dietrich Buclin
Tenor Saxophone: Michael Borcard
Trumpet: Alexandre Schneiter
Recorded at Bridge Studio, Geneva, by Mathias Liengme.
Additionnal recordings at A-Lone Ark Muzik Studio, Santander, by Roberto Sánchez
Mixed at A-Lone Ark Muzik Studio, Santander, by Roberto Sánchez.
Bass: Primo Viviani
Piano, organ, percussion: Mathias Liengme
Rhythm guitar: Roberto Sánchez
Percussion: Loïc Moret
Trombone: Anthony Dietrich Buclin
Tenor Saxophone: Michael Borcard
Trumpet: Alexandre Schneiter
Recorded at Bridge Studio, Geneva, by Mathias Liengme.
Additionnal recordings at A-Lone Ark Muzik Studio, Santander, by Roberto Sánchez
Mixed at A-Lone Ark Muzik Studio, Santander, by Roberto Sánchez.
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